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TUATARA

"East Of The Sun"

Initially formed as a band to write and record songs to be used in film soundtracks, Tuatara quickly found a creative synergy between its members. The band’s earliest recording sessions yielded much more than just a handful of tracks; what originated was a supergroup of monumental proportions that would produce a diverse repertoire across six albums. Composed of principle members Peter Buck and Scott McCaughey of REM, Barrett Martin of the Screaming Trees, bassist Kevin Hudson, horn players Dave Carter and Craig Flory, and percussionist Elizabeth Pupo-Walker, Tuatara returns from a four-year hiatus to release East Of The Sun, set to drop in June 2007 on Fast Horse Recordings. With four full-length releases already under their belt, Tuatara has evolved from an entirely instrumental project to an ever-growing, eclectic ensemble, including vocals and even spoken word. On East Of The Sun, guest vocalists are plentiful and include names such as Mark Olson and Gary Louris of the Jayhawks, Sufi Poet Coleman Barks, Mark Eitzel of American Music Club, Jessy Greene of the Geraldine Fibbers, Luna’s Dean Wareham, John Wesley Harding, Gina Sala, and Victoria Williams. Tuatara channels both the essential and experimental rock and roll that dominated the 1960’s with “The Spaniard” and “Missionary Death Song”, the album’s second and sixth songs, respectively. The incorporation of Carter’s trumpet adds an exotic element to several tracks, as well as an appropriately placed sense of urgency. “The Spaniard” and "Bones, Blood and Skin" also include the sweet, nostalgic sound of a Spanish guitar courtesy of Flamenco legend Ottmar Liebert, and Iraqi oudist, Rahim Alhaj, adds his Arabic touch on "A Spark In The Wind." These exotic elements throughout East Of The Sun give the tracks a rich, otherworldly sound. East Of The Sun is only the beginning. The amount of material Tuatara has written over the last four years has resulted in, not one, but two albums, to be released separately. East Of The Sun and West Of The Moon create a yin and yang effect, both containing mystical elements, with the lyrics about personal loss, spiritual yearning, and finally, redemption. Barrett explains, “Musically, the Sun songs are more masculine, with a kind of High Plains Drifter/Spanish Troubadour quality. The Moon songs are more groovy and feminine, and definitely just as powerful as the Sun songs.” East Of The Sun sets the tone for the pair; it’s an alluring prologue that leaves the listener desiring what comes next. Fortunately, the second installment of the enticing tale is not too far behind. "The Loading Program" (2004) Tuatara takes a new twist in the evolution of their unique sound with the addition of some of the world's top DJs remixing classic Tuatara songs. "The Loading Program" takes the listener on an entirely new audio adventure, featuring remixes by DJ Spooky, DJ Logic, DJ Wally, Spearhead's Michael Franti, producer Eric Rosse and New Zealand's Mr. Reliable. The album plays as perfect blend between the organic, live instrumentation of Tuatara, and the electronic wizardry of these top producer/DJs. "Cinemathique" (2002) The third Tuatara album was the flagship release for Barrett's new label, Fast Horse Recordings. The album has a more ambient, textural quality, using the electric sounds of vintage keyboards, shimmering vibes and rich horn parts to create a listening experience of cinematic proportions. "Trading With The Enemy" (1998) Released on Epic/Sony, the album garnered great reviews, sporting a richer, more arranged production reminiscent of the big band recordings of yesteryear. "Beaking The Ethers" (1997) This is the critically acclaimed debut album, released on Epic Sony. The band was formed in Seattle in 1996 by Barrett Martin, drummer for Screaming Trees, Justin Harwood, bassist for Luna, Peter Buck, guitarist for REM and Seattle sax legend Skerik. The core group had been recording music for a soundtrack demo and the sessions proved to be so fruitful that they decided to produce their own album. The result was this stunning instrumental debut which was warmly received around the world for its originality and pure musical expression. The record also made its way on to several "best of" lists for the end of that year.

"The Loading Program"

"The Loading Program" is the fourth album from the American composer's collective Tuatara.
Featuring members as diverse as Peter Buck and Scott McCaughey of REM, Barrett Martin formerly of the Screaming Trees, Justin Harwood formerly of Luna, Steve Berlin of Los Lobos and renowned jazz/experimental saxophonist Skerik, Tuatara has carved out a wide path in the realm of modern, instrumental composition. In continuation with last year's electric/ambient "Cinemathique", Tuatara takes another new twist in the evolution of their unique sound. With the addition of some of the world's top DJs remixing classic and brand new songs, "The Loading Program" takes the listener on an entirely new audio adventure. Featuring remixes by DJ Spooky, DJ Logic, DJ Wally, Spearhead's Michael Franti, producer Eric Rosse and New Zealand's Mr. Reliable, the album plays out as perfect blend between the organic, live instrumentation of Tuatara, and the electronic wizardry of these top producer/DJs. Available now on Fast Horse Recordings!

DJ Spooky:
"Let's flip it like this: what they're up to and where they're taking the soundtrack
composition skillz on 21st century film culture - think of the idea of the soundtrack scene as a place where live musicianship is combined with turntable virtuosity, and you get what Tuatara does. Not every band can do all sorts of stylz... Stuff like what Tuatara are doing is the future of music - soundtracks made with improvisational skill balanced with electronic music's ability to absorb anything...check the frequency!


DJ Logic:
"I was instantly drawn to "Sitar Song", it brought me back to the electric Miles days. I left
the track's basic elements in tact and just did a few touch ups here and there, adding a little bump to it. It was an honor to be working with these great musicians.


Mr. Reliable:
"I was first introduced to the Tuatara sound sometime in the mid 90's when I was living in New York. What struck me immediately were the beautifully recorded rich textures, sounds, and rhythms that make up the Tuatara sound. Coming from a much more electronic perspective, this live instrumentation was like a breath of fresh air and made me an instant addict."

 

"Cinemathique"

Tuatara was formed in Seattle in 1997 by Barrett Martin, drummer for Screaming Trees, Justin Harwood, bassist for Luna, Peter Buck, guitarist for REM and Seattle sax legend Skerik. The core group had been recording music for a soundtrack demo and the sessions proved to be so fruitful that they decided to independently produce their own album. The result was the stunning instrumental debut "Breaking The Ethers", released on Epic/Sony in the Spring of 1997. The album was warmly received with high marks around the world for its originality and pure musical expression. The record also made its way into several "best of" lists for the end of that year.
The band played select dates around the U.S. including the Magnificent Seven Tour which included Mark Eitzel, whom Tuatara had backed up for his album "West" (Warner Bros). Also on the bill was Scott McCaughey's Minus 5, another project that included Peter and Barrett. Scott soon became an integral member of Tuatara and the band returned to the studio to record their second album with an expanded horn section that included Steve Berlin of Los Lobos.
"Trading With The Enemy" was released exactly one year later again on Epic/Sony. Also self produced, the album garnered its own share of great reviews, sporting a richer, more arranged production reminiscent of the big band recordings of yesteryear.
The evolution of the band was happening quickly with each subsequent recording session and this led to film scoring work for the various band members. Several songs from both albums were licensed for film and television soundtracks and this brought even more exposure to the emerging Tuatara sound.
This brings us to 2002 and the appropriately titled third Tuatara album, "Cinemathique". Produced independently by Barrett Martin, this is the flagship release on the band's new label, Fast Horse Recordings.
The album has a more ambient, textural quality, using the electric sounds of vintage keyboards, shimmering vibes and rich horn parts to create a listening experience of cinematic proportions. Watch for select Tuatara dates around the U.S. as they support "Cinemathique" and continue their musical explorations into the realm of sonic landscapes.





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